Part of my work across the last year has been to increase the levels of information held for objects in our collections, making them available to the public via our online database. Information on how to search the database is at the end. I recently came across a record with a slightly fuzzy image of a man, (which was out of focus when the photo was taken many years ago). Through the fuzziness I could see the face of a man who looked like he was sleeping. I scrolled down to read the short and simple record that told me that this was the “corpse of Benjamin Tatham”.
Why had somebody drawn a picture of the recently deceased Benjamin Tatham? Well it may seem strange now, but post-mortem art was fairly common in the past. Initially only the wealthy could afford to commemorate their dead with a mourning portrait. Later with the invention of photography post-mortem photographs became affordable to many, for some this would have been the only image to remember their loved one by. A search on Google reveals many photographs of deceased people, including this image of German Emperor Frederick III who died in 1888.
Our drawing of Benjamin Tatham was created by Hitchin artist Samuel Lucas Senior. It’s thanks to Samuel and his prolific sketching output that we can look upon the faces of many Hitchin residents of times gone by. The image below is a sketch he made of school master Benjamin Abbot of Tilehouse Street.
Both the image of Benjamin Tatham and of Benjamin Abbot entered our museum service at the same time on 12 August 1940 among a collection of many Lucas sketches, close to a century after they were drawn. This means that the post-mortem drawing of Benjamin Tatham stayed with Lucas and was not given to Tatham’s family. Perhaps Samuel Lucas visited the family to pay his respects and, ever the sketcher, could not help himself but sketch a final image of Tatham posed in his bed, or coffin. Perhaps the image stuck with him so much that he jotted down his memories at a later time. Maybe this formed a preparatory sketch for a later image given to the Tatham family? We think this is the only drawing of the dead that Samuel Lucas Senior created.
What do we know of Benjamin Tatham himself? Well we know that in life he worked as a woolstapler, a dealer in wool, on Bancroft, just around the corner from our museum. Trade directories show him operating from Bancroft in 1823, 1832, 1839 and a final appearance of 1846, perhaps suggesting his death shortly afterwards. To the best of our knowledge this is the only image of Benjamin Tatham to survive to the modern day. Samuel Lucas’ simple but moving sketch allows Benjamin Tatham to live on into 2021. More than one hundred and fifty years after his passing, we can look at this picture and imagine the man, dealing wool in Hitchin, walking the same streets we walk and interacting with the other residents captured in Lucas’s sketches. Perhaps he is amongst the crowd of people in the Lucas painting of the Market Place.
You can explore our collections database via the link below.
North Hertfordshire Museum opened fully in July 2019 and, before the worldwide Coronavirus pandemic sparked our temporary closure, we had been celebrating eclipsing the annual visitor figures of both the old museums of Hitchin and Letchworth in just over six months.
The situation we find ourselves in is eerily similar to the early years of Hitchin Museum. The museum, in those days going hand-in-hand with the library, opened in 1938 (or 1939 by other accounts), gaining the attention of local people shortly before a worldwide event changed everything: the start of the Second World War.
I have been reading the account of Robert F Ashby, the first Librarian and Curator of Hitchin Museum. When he was appointed in 1938 Robert was remarkably young, at the tender age of just 21. Robert’s account, which you can read below, talks about how the museum and library of Hitchin came together on the site of ‘Charnwood’ on Paynes Park. He gives brilliant (and frank) opinions of grand local dignitaries, local and county council officials and of library and museum workers. Robert reveals that Percival Westell, the first and long-standing curator of the Letchworth Museum, did not agree with the idea of multiple local museums. Despite this initial resistance, Robert records that that the ‘old fashioned’ Westell, did provide the young curator with invaluable, albeit ‘off the record’ help.In 1940, almost two years on from his appointment, the young curator was called to the war. He survived and after his war service concluded, returned to the role from 1946 to 1950. The similarities in this story also reach a personal level, as whilst writing this blog, it is two years since I was appointed as North Hertfordshire Museum’s first Assistant Curator, at the age of 26 in 2018, only for the world to change in a way that would have been unimaginable even just six months ago.
Upon hearing of the plans for the merger of the old museums of Hitchin and Letchworth into the North Hertfordshire Museum, Robert Ashby, then in his mid 90s, was said to have remarked “About time!”, declaring that the museum was too small even in his day. He sent someone to visit the museum on its final day on 1 September 2012 to pass on his regards and record his message in the comments book.
Hitchin Public Library and Museum – the early days by Robert F. Ashby
Some time in 1936 or 1937 the then Urban District Council of Hitchin took an innovative, and, some would say, overdue, decision: this was to establish a Library and Museum in the town. That Hitchin, with its long and meticulously researched history, its ancient streets and its well-known literary and artistic associations had not taken the step long before, as its Johnny-come-lately neighbour Letchworth had done, is a matter of some wonder. Perhaps the prudent council and influential householders were disinclined to put yet another charge on the Rates.
The council of that time had a very good reason for taking the step they were about to take. Two generous citizens, Mr Herbert and Mr Wallace Moss, both local business men, had offered to give to the town a mansion and its surrounding grounds for the purpose.
The house, called ‘Charnwood’, stood, as it does now, on a triangular site only a few minutes’ walk from the Market Place and the main shopping centres, an ideal place for its future function. It was part of the donors’ intentions that this pleasant area should be preserved ‘to prevent undesirable development and to secure a permanent open space in the built-up area’. There is a remarkably modern ring to this far-sighted intention, from which the people of Hitchin still benefit.
‘Charnwood’ in its original form dates from 1825, and has had several different occupants and names since then. The front door used to face south, i.e. towards Paynes Park. In converting the building to its two new uses, the then District Surveyor, Mr J Whittle, had the ingenious idea of moving the door and the entrance hall around so that they looked up the plot towards the Tilehouse Street/Luton Road junction, as the museum’s front door does now. This gave a convenient entrance lobby, as well as providing additional length to the ground floor room which was to become the Lending Library.
Interior walls were removed and replaced with steel joists which proved just about strong enough to cope with the not inconsiderable weight of the desk-type showcases later installed in the Museum room above.
Although this was to be the first rate-supported Public Library and Museum that the town had ever had, and in fact was the first museum, there had for a century or more some form of library provision available to the citizens. As with everything in Hitchin this has a long history.
In 1824 there had been a ‘Library for Tradesmen, Apprentices and Others’, which had been succeeded by ‘The Working Mens’ Library’, which in turn provided the basis for the Hitchin Mechanics’ Institute. In 1828 there was a ‘Public Library’, of which little record remains, and a ‘Permanent Book Society’ in approximately 1835. These were of course supported by the subscriptions of members and by altruistic backing on the part of leading citizens, many of whom belonged to the Society of Friends.
In 1860 the various threads came together, and a room was built in Brand Street by public subscription especially for the Mechanics’ Institution and Public Library (later to be called the Hitchin Library and Reading Room). The building is still there – but now it provides refreshment to the bodies rather than the minds of its customers.
This building was serving as the town’s public library in 1938 when the writer of this monograph arrived on the scene. It was a room of high windows and tall ladder-requiring bookshelves containing rows and rows of books long out of date, but the service was amplified by the infusion of a regularly-changed collection of more modern books supplied by the Hertfordshire County Library. An annexe in the adjacent Old Town Hall was the Reading Room providing newspapers and magazines.
The Librarian was Miss M Fitch, a gentle self-effacing, thoroughly efficient lady, who had been in post for 35 years i.e. almost from the beginning of the century. Some of the older present-day residents in the town must surely still remember Miss Fitch. Her services were never, I think, publicly recognised in the hustle and bustle of moving to the new building. It is a pleasure, though long overdue, to pay a tribute to her services to the town.
The two generous donors had given Charnwood to the town to provide a Museum and Library, of which the order of words may have been of significance, but the District Council could not just take over without formality. To run a Museum and Library and spend ratepayers’ money on them, a legal procedure known as ‘adopting the Acts’ had to be gone through.
Over the years some boroughs and urban districts had adopted the Acts and thus become responsible for the provision of library and museum services within their areas: this is what Letchworth had done in 1906. For all the rest of the County of Hertfordshire the County Council, under a 1919 Act, established itself as the Library Authority for all those places which had not already taken powers unto themselves.
It is my impression, confirmed by later experience that Hitchin was primarily interested in the first of the functions which the Moss brothers had specified i.e. the Museum. The County Council were, as already mentioned, exercising their library powers in the town by providing the collections of books in the former Mechanics’ Institute in Brand Street. As library and museum powers ran together under the law at that time, it was not possible for the local authority to provide one without the other.
To solve this dilemma an arrangement was arrived at with the County Council whereby the Urban District Council could become the Library and Museum Authority, subject to agreeing to continue to take books from the County Library as if the town library were still a branch of the latter. In return, the town would pay a proportion of the County Library Rate. Apart from this the District Council were free to do as they liked.
From the library point of view this was not an entirely satisfactory position. County Library provision in those pre-war days was still little more than ‘a box of books in the village hall’ and unsuited to the more exacting requirements of a busy town. Not one box of books but many were exchanged every six months or so – a regular event quite laborious in its way -but there was little or no control over the selection and condition of what was provided, whilst library routines had to conform to the County Library’s methods. It also excused the District Council from making proper provision for the regular purchase of new stock – always the life-blood of any public library. Nevertheless this is how Hitchin obtained its Public Library and Museum.
The North Hertfordshire District Council’s website says that the Museum was founded by the Hitchin & District Regional Survey Association. This may be true in the sense that they formed a powerful pressure group urging the Council to embark on the project. The main activists in this body were Reginald L Hine (who because of his position in the town was undoubtedly the main moving spirit), Mr E F D Bloom, the HM Inspector of Schools who had a large following in the town especially among the school teachers, and Dr A H Foster, a specialist in Natural History and particularly in Entomology. This triumvirate either had items suitable for the Museum in their possession or knew where to find them, but so far as I was aware there was no existing collection waiting for new premises. Thus the museum was rather founded on individual collections of single items held by specialists in their respective fields, supplemented by donations from well-disposed townspeople.
As soon as Charnwood had formally come into the Council’s ownership the work of conversion began.The museum came to occupy two rooms with a small office on the first floor. The public library on the ground floor consisted of a long room on the Paynes Park side which formed the lending library, a small room facing Nun’s Close which became the reference library, and a room on the left of the entrance door which was fitted out as a reading room for newspapers and periodicals.
The larger of the museum rooms was fitted with display cases built against the walls and with desk-type cases in the middle. The wall cases had a home-made look; one of the larger ones had early on had its glass front replaced because it consisted of an unframed sheet of glass which was dangerous to move. There were storage lockers underneath, and it says much for the trust placed in the general public in those days that they were not in fact locked. At one time they had masses of old documents stored in them which were soon removed by Col Le Hardy, the County Council Archivist. The centre cases were custom-built by a firm of museum fitters, Edmonds I believe. These had drawers under and did lock. This room was devoted to ‘bygones’ i.e. household, agricultural and trade articles, with the larger items hung on the walls where they could be touched and indeed handled by the public.
The other room, on the other side of the landing at the head of the stairs, was devoted to natural history. A large case built against the farther wall had a large array of stuffed birds in it, but I think these only came later. The wall-case opposite contained butterflies and moths and also stuffed animals. I well remember a splendid badger, perhaps one of the first exhibits.
In the library downstairs the fittings also had a homemade look. Most public libraries of those days gave the books the dignity of oak shelving, but Hitchin’s were made of soft white wood which had been varnished to a pink hue. One unit was so cumbersome that it was too large to move and had to be shortened. A little two-sided counter between the entrance and exit doors had been designed as if the staff would spend their time sitting in it for most of the day. It even had a flap across its exit: that soon had to go.
The reference library at the end of the lending library had been fitted out with all due considerations of economy, and the shelves had been brought in from the Brand Street premises and thus were over seventy years old. Their wood was rough with use and had darkened with age. It also had an odour about it which gave the ‘Ref’ a characteristic atmosphere.
Across the entrance lobby there was what may have been the original dining room. This was provided with slopes for newspapers and tables and chairs for reading magazines. From this room a glass door led into an annexe, probably the former billiards room. Used only for occasional meetings, it was never brought into full use till after the War when the Reading Room was transferred into it.
Having secured the building, a modest supply of books, and the expectation of a sufficiency of exhibits, the Council had to apply themselves to the question of staff. Guided by the County Librarian, Mr T W Muskett, advertisements were placed in the Times Literary Supplement and other appropriate places for a Qualified Librarian.
After a competitive interview in February 1938 I was appointed at the tender age of 21½ on an equally tender salary scale of £210 to £285 per annum. This sounds indeed modest, and indeed it was, but when I had paid 35/- (£1.75) per week to my landlady in Chiltern Road, the good Mrs Brown, I had, as a young man with no ties, enough to conduct a pleasant and varied life.
It was at the interview that I first met Mr Hine. I had heard of him from Mr Muskett, but he was quite unmistakable among the District Councillors. My recollection is that the meeting was chaired by Mr Bowman, Chairman of the Council and the head of the well-known firm of flour millers, under the guidance of Mr A Percy Ruscoe, the Clerk of the Council, who whenever he spoke, prefaced his remarks with a loud ‘Err-agh’.
Another essential member of staff – still no doubt remembered by older residents – was George Currell, the caretaker. Grey-haired and of a serious mien, he was not seldom thought to be the Librarian.
The Chairman of the Library and Museum Committee was Mr William Payne, the dentist, who lived in a lovely house in Brand Street, long since gone I suppose. He was a devoted member of the Society of Friends, then a strong influence in Hitchin. At the Opening Ceremony, which took place out of doors at the front of the building, he rather irrelevantly declared how important religion is in life. Reginald Hine tactfully followed this by relating it to the deeper spiritual aspects of learning exemplified by a library and museum.
In the founding of the Museum the District Council were fortunate in having at their disposal the experts in various fields who have been mentioned above i.e. Dr Foster, Mr Bloom and of course Mr Hine. There was a further adviser who willingly gave friendly and valuable help in the early days, quite informally and un-officially. This was Mr W Percival Westell, the Curator of Letchworth Museum. Although at our first meeting he told me that he did not approve in a multiplicity of museums, though not of libraries, he helped enormously with installing the basic routine of a museum, such as the identification and description of exhibits, their numbering and registration. Even then a rather old fashioned figure, he wrote and published a variety of simple natural history books, one of which was called ‘Let’s go for a walk’ and another as ‘Alphabetical Itinerary’ which listed all the places he had ever visited. In the early days of radio he had achieved some reputation as ‘Mr Bumble’ on children’s programmes.The North Hertfordshire District Council’s website says that the Hitchin Library was opened in 1939 and the Museum in 1941. To my recollection this is not accurate, as the library was certainly opened in 1938, and the public were admitted at least to the front room of the museum before 1940. However, scarcely had the two services got really established and were beginning to find their place in the hearts and lives of Hitchin people, than the War came along. Hitchin being a reception area for evacuees, the library played its part in offering the Reference Room and little-used former billiards room for the accommodation of classes from North London schools.
On almost exactly the second anniversary of my taking up the appointment on 1st April 1938 I was swept into the Army, only to re-appear six years later; then, after the catastrophe of Mr Hine’s death, I went on to fresh woods and pastures new.
In 1974 the Library was fully amalgamated with Hertfordshire County Library as a result of the Local Government re-organisation of that year. The present capacious and attractive premises were built on the adjacent site, and the former ‘Charnwood’ given over to the Museum, which together with Letchworth Museum, has been substantially developed by the local authority, the North Hertfordshire District Council.
Robert F Ashby was the Library and Curator of Hitchin Library and Museum from 1938 to 1940 and 1946 to 1950. He went on in due course to become County Librarian of Surrey.
Note: Percy Westell in fact played a character known as Uncle Tadpole on BBC Children’s Hour, who talked about natural history; the final chapter of his autobiography, Yester-days, is the Alphabetical Itinerary to which Robert Ashby refers.