Keith Fitzpatrick-Matthews

first world war embroidered christmas card

First World War Christmas Card

As you open your Christmas cards this year, imagine opening one like the one above, beautifully embroidered by hand, and sent to you from the front line of the First World War. This card helped to connect soldiers to their families at home, and they would have waited eagerly for a reply.

Silk postcards grew in popularity from 1915, though they first appeared around 1900. Some estimates suggest as many as 10 million cards were produced during the First World War.

Each card was produced as part of a cottage industry which saw mostly women engaged in intricate designs being hand embroidered onto strips of silk mesh, the design being repeated as many as 25 times on a strip. This was then sent to a factory for cutting and mounting as postcards and greetings cards. The cards themselves were bought from civilians trying to scrape a living from supplying soldiers’ needs in the immediate war zone. They were not cheap, each one costing as much as three times the daily pay of the average soldier. Although they are postcards, they were often sold and sent home in an envelope to protect their contents.

There is a huge range; some had sentimental messages, such as “friendship”, “birthday greetings”, “Home Sweet Home” and some cards celebrated festivals and holidays. Many had delicately opening pockets with a small card insert. Others would give “Greetings from France” or poignant messages “from the trenches”.

Today this card connects us to events that occurred 100 years ago, and reminds us of the people who were not so different from us.

Visitors took the opportunity to join the last Behind the Scenes tour at Letchworth Museum on Tuesday 2nd December. This was the last time we will run the tour so that staff can concentrate on all the tasks necessary to move into our new building next year.

Those on the tour heard about the history of the museum building, the first part of which was built 100 years ago this year.

tour group outside letchworth museum

Tour group outside Letchworth Museum

Staff working on processing and packing the objects showed them what they have been doing.

tour group in the processing room

Tour group in the processing room

Our visitors saw how many boxes we’ve packed so far, stored around the museum building.

boxes of packed objects at Letchworth Museum

Boxes of packed objects at Letchworth Museum

Although this was the last tour of Letchworth Museum, there is still time to book onto the last Behind the Scenes tour at Hitchin Museum, which is on Friday 19 December at 10am. To book a place please call 01462 434476 or email hitchin.museum@north-herts.gov.uk.

 

 

One hundred years ago, the first part of Letchworth Museum was finished and opened to the public.

first single storey building of Letchworth Museum 1914

First single storey building of Letchworth Museum 1914

This was the first public building to be erected on Town Square, Broadway, and consisted of just one room, 9.1m x 6.1 m (30ft by 20ft), and a lobby. But this was just the beginning, and the architect Barry Parker had drawn up ambitious plans for a much larger building. While an extension adding two storeys to the original building was opened in 1920, much of the rear extension was never realised.

plan by barry parker of letchworth museum

Plan by Barry Parker for Letchworth Museum, showing ambitious future expansion

The single storey museum was informally opened on Tuesday 20th October an hour before the annual meeting of the Letchworth Naturalists’ Society. This was reported in the Hertfordshire Express of the following Saturday, which has been digitised as part of the Herts at War project to make local newspapers of the Great War period available, with release of e-editions by The Comet on the relevant date. The Pageant of Letchworth by A W Brunt, Chairman of the Letchworth and District Natural History and Antiquarian Society (as the Naturalists were to become for a short time) records the opening date as 29th October 1914. There had been a stone-laying ceremony on 9th May 1914 but as the First World War had started by the time the museum opened, there was no opening ceremony.

stonelaying mallet of sire herbert george fordham

The ceremonial stone-laying mallet from 9th May 1914 presented to Sir Herbert George Fordham

Rev E Everett had been the Secretary of the Society when discussions about finding a site for the museum had begun, but he did not live to see its completion. In July 1914, the Naturalists had elected W Percival Westell as Secretary. He became one of the initial specialist ‘honorary curators’ at the museum, soon becoming the ‘honorary general curator’, and going on to become the museum’s first paid curator. For the first fourteen years of the museum’s life, Percy Westell was paid nothing, though the museum charged an entrance fee of one old penny.

The Naturalists’ Society had clear ideas about the arrangement of displays. They did not want a Victorian-style random collection of curios, but wanted to present scientifically-arranged displays of specimens to illustrate the natural and human history of the Letchworth area. They defined this area as including anything within a 12 mile radius of Letchworth. As the Herts Express noted:

“There is no reason at all to prevent the nature lovers of the district, and those who delight in tracing the history of life and of the race as revealed in geology and archaeology from uniting to cultivate and co-ordinate all the available knowledge of the district. Good work has already been done, and will continue, and it is hoped that the bond of union between the two principal towns in North Herts will be considerably aided by the new institution”

Our new North Hertfordshire Museum will continue to build on the work of this first museum. Our collecting area has changed only slightly, and our new displays will use our collections from around the district, and not just the two towns mentioned 100 years ago, to illustrate the natural and human history of the area. We are looking forward to cultivating and co-ordinating the available knowledge of the district, and making it available to audiences old and new